AEW debuts as new hope in professional wrestling

AEW, Professional wrestling is a unique form of entertainment. It relies on the investment of supporters in stormy verbal battles leading to physical clashes, but collaboration between combatants is essential for this to work.

AEW debuts as new hope in professional wrestling
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The biggest stars of the genre, from Dwayne “The Rock” Johnson to “Nature Boy” Ric Flair to “Macho Man” Randy Savage and “Stone Cold” Steve Austin have larger personalities than life in a way that few celebrities have. It has been a long time since this separate world has experienced significant competition in this country.

There used to be large professional wrestling companies that covered almost every major city from coast to coast in North America. These territories had different flavors. In the Midwest, the American Wrestling Association was created around memorable interviews of characters such as Maurice “Mad Dog” Vachon and the working class hero The Crusher. In the Bay Area, Roy Shire promoted a wrestling brand based on ring artists such as Ray “The Crippler” Stevens and Pat Patterson. In Dallas, the local family dynasty Von Erichs spent decades pursuing NWA’s world title for Patriarch Fritz, through his sons David, Kevin and Kerry.

AEW, Professional wrestling changed in the 1980s when Vincent K. McMahon (the Vince McMahon whom you probably know by shouting “you are fired” to his fighters) was nationalized with the northeastern territory of his father, Vincent J. McMahon. He attacks other promotions fighters and unleashes a major promotional war with players like McMahon such as Verne Gagne AWA, World Class Championship Wrestling by Fritz Von Erich, Bill Watts Mid-South Wrestling (later the Universal Wrestling Federation ) and Jim Crockett promotions. (who later became WCW).

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The “Monday Night War” defines the 1990s of professional wrestling. WWF hosted its exclusive Monday Night Raw show in the US against WCW Monday Nitro on TNT. Paul Heyman also took on ECW National, a company fighting against the insurrectional culture created to show the challenge to giant corporations. This is a period of time that wrestling fans still fondly remember.

All this changed abruptly in 2001. WCW was canceled by TNT and TBS. The company was sold at the time of the WWF at the price of cents. ECW, unable to secure a television company worthy of the name, was forced to retire. In two weeks, WWE became the only major American wrestling company. With the exception of a brief and unsuccessful challenge regarding the promotion of TNA Impact, no company of fighters has threatened WWE since then.

Vince McMahon, who has finally reached the field he has always sought, did not react well to the monopoly state. Without anyone challenging him, he gives in to his worst instincts and loses contact with his audience. Their stories constantly revolve around authority figures who have more power than fighters, with McMahons and the WWE brand being presented as the true stars of the series. McMahon decides for the fighters, undermining the fighters that the fans react well, but that he does not like too much while strengthening with the fighters that the fans reject. The fighters above and below the cards are placed in comic skits built around McMahon’s unique and often childlike sense of humor.

AEW, Professional wrestling, historically an impromptu art form built around fighters who have great flexibility to define their own personality, has become a strict scenario. Wrestlers are not able to create their own messages and characters like previous generations, but instead convey the words of writers who respond to the often erratic whims of McMahon, who is now 74 years old. McMahon even launched an aggressive campaign to try to change the way his fans talk, insisting on calling fighters “superstars” and calling the fight “sports entertainment”. Think of the NFL for 20 years to stop the use of The Word Soccer by its fans. Fans are not even allowed to be fans; They are “the WWE universe”, as broadcasters will remind you about 10 times per broadcast.

Not surprisingly, the interest in WWE, and hence in professional wrestling in general, has dropped considerably since the disappearance of the competition in 2001. In 1999, WWF Raw set a record of qualifying with 9.2 million spectators face to face with Nitro. Last Monday, a program rich in appearances by Brock Lesnar, Hulk Hogan and Ric Flair attracted 2.57 million people. Attendance at live events, as well as the purchase rates of pay-per-view products and services, have also dropped significantly (the pay-per-view service has been largely replaced by the WWE subscription service). Network). WWE is more profitable than ever thanks to the rich television deals with the United States. UU. And Fox, but fans’ interest in wrestling is still low.